Summary

Although the economic model was not decided, one of the tasks of the official publishing house for the Chilean dictatorship, Editora Nacional Gabriela Mistral (1973-1976), was to spread information about budding neoliberalism. This could not be achieved without banishing the language of –and identification with– social classes, which was rooted in Chilean mentality. Using examples, this article explores how publications from the ENGM silenced and described social classes through themes such as folklore, anti-Marxism, national history or economics, thanks to its informative nature and to the procedural and cognitive possibilities of its texts. This paper proposes that as a latent subtext in those publications, the silencing of social classes could have been a metaphorical and aesthetic symptom of neoliberalism during the dictatorship, becoming in this manner a sign of its peculiar way to aestheticize politics.