Summary

Art had always a prominent place in libertarian universe because the productions were advertising's instruments that carried a marked ideological purpose. This article reconstructs the characteristics of anarchist art in Buenos Aires between 1900 and 1930. It studies the doctrinal texts of the main theorists and the way in which they influenced the local artists, as well as the articulation between local productions, newspaper articles and specialized art magazines, in order to address the aesthetic values that delineate these productions. It concludes that, although anarchism preferred to exclude national realities due to its strong internationalism, Argentine libertarian art had a strong local component that does not deny the libertarian anchorage of those artists and militants.