Essay on the decomposition and recomposition of images, texts and sounds in Le Gai Savoir (Jean-Luc Godard, 1968)
Essay on the decomposition and recomposition of images, texts and sounds in Le Gai Savoir (Jean-Luc Godard, 1968)
Documento
Metadatos
Resumen
The subject of this piece is the analysis of the critical device of decomposition-recomposition of images, texts and sounds in Le Gai Savoir (1968) by Jean-Luc Godard, in light of Julia Kristeva´s textual practices, Jacques Derrida’s deconstruction, Gilles Deleuze’s theory of the difference, and through the use of two critical concepts forged for this article: Stammering and Dissidance.